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Oblong Fetish Posts

Robert Pattinson steps up as The Batman

Ok so I’ve been a little sceptical about the upcoming (rebooted?) Batman film, The Batman (trailer), directed by Matt Reeves, and starring Robert Pattinson, as the dark knight. Must there be another Batman film? Isn’t there another story about someone else to tell? But from the teaser snippets I’ve seen so far, Pattinson seems to make for a fine brooding superhero. Zoë Kravitz stars as Catwoman, and Paul Dano as the Riddler. The Batman premieres on 4 March, 2022.

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Far from the Light of Heaven, by Tade Thompson

Far from the Light of Heaven, by Tade Thompson, book cover

An article published in The Atlantic in September 2018, written by Geoff Manaugh, pondered the question of dealing with crime on Mars. It was a thought provoking read, given the long time talk of establishing colonies on the red planet. But talk is easy. Mars is far from hospitable, and colonising the planet presents a raft of challenges, some of which may prove insurmountable.

But what happens, if one day in the future, we discover the means to cross the gulfs of interstellar space, and are able to establish colonies on planets we may find, that are somewhat more conducive to human habitation? The question of law enforcement is likely to be utmost on the minds of those organising such a gargantuan undertaking.

Crime beyond Earth is a theme central to Far from the Light of Heaven (published by Hachette Book Group, October 2021), the latest novel from British-born Yoruban doctor and novelist, Tade Thompson. Shell, the first mate of a vessel carrying one thousand colonists to a distant world, wakes from ten years in hibernation to discover some of the passengers have been murdered.

A puzzle to say the least, given everyone on board was asleep. Shell launches an investigation, but her work is cut out for her. Her captain, an artificial entity called Ragtime, who might know more than he lets on, is little help. Meanwhile menacing robots lurk in the shadows of the enormous vessel, which Shell cannot leave until she works out what happened.

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Artists incomes takes a hit from the COVID pandemic

A lot of people have been doing it tough as a consequence of the COVID pandemic, and its impact on jobs. But artists incomes, which often hover mere dollars above the poverty line at the best of times, have had a particularly difficult time, says Anna Freeland, writing for the ABC.

According to new research conducted by the National Association for the Visual Arts (NAVA), one in two visual artists experienced an income decline of between 20–100 per cent last financial year. A sobering four in five artists and one in two arts workers earned less than $25,000 over the year, which is more than $100 a week below the poverty line for a single person with no dependents. “That figure of $25,000 may be a misnomer in itself if people are being paid a fee for commissions and those commissions are being delayed, which has happened to artists for over a year,” says NAVA Co-Director Mimi Crowe.

And from Freeland on Twitter: arts audiences are getting jabbed at a faster rate than the general population. Arts audiences includes artists’ patrons. Hopefully this bodes well for artists planning to exhibit in the near future, when lockdowns wind back.

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Trailer for Joachim Trier’s “The Worst Person in the World”

The Worst Person in the World (trailer), the latest work by Norwegian film director Joachim Trier, stars Renate Reinsve as a young woman named Julie who has trouble finding a balance between her love life and professional life. Peter Bradshaw, film writer for The Guardian described Trier’s feature as an instant classic. The Worst Person in the World screens three times as part of the Sydney Film Festival in early November.

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No Hebrew translation for Sally Rooney’s “Beautiful World, Where Are You”

From a statement issued by the author of Beautiful World, Where Are You, Rooney’s most recent novel:

“I understand that not everyone will agree with my decision, but I simply do not feel it would be right for me under the present circumstances to accept a new contract with an Israeli company that does not publicly distance itself from apartheid and support the UN-stipulated rights of the Palestinian people.”

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Lemon, by Kwon Yeo-Sun

Lemon, by Kwon Yeo-Sun, book cover

It is 2002 and Korea is in the frenzied grip of the football World Cup, an event the nation is co-hosting with Japan. At the same time, Kim Hae-on, a nineteen year old student, was murdered in a crime that became known as the “high school beauty murder.” On the day of her death she wore a yellow dress, from which the name for Lemon (published by Penguin Random House, October 2021), Korean author Kwon Yeo-Sun’s novel, derives.

The story traces the seventeen years following the unsolved murder, as a grief-stricken Da-on, Hae-on’s younger sister, struggles to move ahead with her life. The story also explores the perspective of two of Hae-on’s classmates, the fiancée of one of the suspects, and back to Da-on many years later, as she visits a food delivery driver, the last person to see Hae-on alive, himself also a suspect in the killing.

Although billed as a crime thriller, Lemon is more a meditation of trauma, loss and grief, and the impact of a single devastating moment that changed the lives of those close to Hae-on. But as the story progresses, it gradually becomes apparent Hae-on’s murder wasn’t the only crime committed…

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The Power of the Dog, by Jane Campion

The Power of the Dog, the latest film by Sydney based New Zealand director Jane Campion stars Benedict Cumberbatch as Phil Burbank, a rancher living in the American state of Montana in the nineteen-twenties.

When his brother George (Jesse Plemons) marries the widowed Rose (Kirsten Dunst), a furious Phil takes to tormenting Rose, and her son Peter (Kodi Smit-McPhee). Quite abruptly though, he seems to soften his stance, and begins warming to Peter. But is Phil’s change of heart sincere, or does he have an ulterior motive? The Power of the Dog screens at this year’s Sydney Film Festival on Friday, 5 November.

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The Arrangement, by Kiersten Modglin

The Arrangement, by Kiersten Modglin, book cover

Ainsley and Peter have been married for years. As far as the outside world is concerned they are happy and successful as a couple. Needless to say, behind closed doors though, it’s a different matter. In a bid to breathe life into their relationship, the couple decide to see other people. They call it the arrangement, which is also the title of American author Kiersten Modglin’s latest novel (published by Amazon Digital Services, January 2021).

But the arrangement comes with stipulations. Both partners must date a different person every week, and two, they are not to discuss with each other what happens while they’re seeing said other person. So far, so good. After all, it’s not as if they’re the only married couple with such an arrangement, no matter how formal. But Ainsley and Peter run into a problem when it comes to confiding in someone else about the other person.

Neither can tell their friends, because they all believe Ainsley and Peter are the perfect couple. So they take to talking to each other, and that’s when cracks start appearing in their plan. Before long they find themselves spiralling into despair, anger, and retribution, and soon the question is being asked, will they even survive, let alone their marriage?

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The French Dispatch, by Wes Anderson

The French Dispatch is the twentieth (or so) film by prolific American filmmaker Wes Anderson, and will be the closing feature of this year’s Sydney Film Festival. Set in the offices of a fictional American magazine, in a fictional French town named Ennui-sur-Blasé, the story follows the ins and outs of the paper’s journalistic staff.

Long time Anderson collaborators Owen Wilson and Bill Murray are among the star studded cast that includes Willem Dafoe, Anjelica Huston, Frances McDormand, Tilda Swinton, Liev Schreiber, Saoirse Ronan, Jeffrey Wright, and Léa Seydoux. Count me in then for the closing night of the Sydney Film Festival.

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The Ex Talk, by Rachel Lynn Solomon

The Ex Talk, by Rachel Lynn Solomon, book cover

How far would you go to save the organisation that has employed you for ten years, a place so beloved, you couldn’t imagine working anywhere else? For Shay, a producer at a radio station in the American city of Seattle, the question seemed like a no-brainer until she was told she must co-host a new show with a colleague, Dominic, whom she detests.

As if that’s not bad enough, she and Dominic need to pose as exes, dispensing relationship advice to their listeners. This is the premise of The Ex Talk (published by Penguin Random House, January 2021), by Netherlands based American author Rachel Lynn Solomon. To the surprise of everyone, especially Shay and Dominic, the show becomes a hit, but as their success grows, the two hosts become ever more uncomfortable with the lie they are forced to live.

The Ex Talk has divided reviewers on Goodreads. Some people feel the story is a tad predictable – would a rom-com be a rom-com if it wasn’t? – while others are, if I may, enamoured by it. I’m yet to partake, so I can’t tell you what I think, but it was the plot outline that caught my eye: would devising story scenarios be the most enjoyable part of writing fiction?

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Petite Maman, the new feature by Céline Sciamma

The Sydney Film Festival opens on 3 November 2021, and hopefully heralds a hopefully welcome return to seeing movies at the cinema, after months of COVID enforced lockdowns. To mark this momentous occasion over the next few days, I’ll be posting trailers for some of the films screening at the festival this year.

Petite Maman is the latest feature by French filmmaker Céline Sciamma, director of the exquisitely heartrending Portrait of a Lady on Fire. At first glance Petite Maman appears to be a story about two young girls who become friends, but as we learn one of the girls is the mother of the other, who through some quirk of space-time has moved through time as a child to meet her daughter.

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Happy as Larry, by Kaethe Cherney

Happy as Larry, by Kaethe Cherney, book cover

Happy as Larry, or Happy as Larry: A New York Story of Cults, Crushes and Quaaludes, to use its full title, is the debut self-published novel of London based American author and film producer Kaethe Cherney. Quaaludes, in case you’re wondering, was the brand name of a sedative–hypnotic medication intended to treat insomnia, though it was commonly used as a recreational drug in the 1970s and 1980s.

Set in the New York of the nineteen-seventies, the story follows, Saskia, a teenager who finds herself grief stricken following the sudden death of her father, and the subsequent disintegration of her family. Saskia also has to contend with a move from their comfortable home in Gramercy Park, to a not so desirable part of town, and adjust to the new high-school she’s forced to attend.

While Saskia is drawn into a world of partying and drugs, her mother turns to alcohol and takes up with a younger man. Meanwhile while her older sister and brother are lured in a cult, and cut-off contact with the family. Happy as Larry has been praised by reviewers for its keen depictions of a New York that no longer exists, making for a poignant reverie for the nostalgic, or a gritty illustration for those who weren’t there.

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Here Out West, the Sydney Film Festival opening feature

Here Out West, which screens on the opening night of the Sydney Film Festival, on 3 November 2021, is an anthology film, combining eight stories which merge into one feature. Set over the course of a day, in Blacktown, a suburb in the west of Sydney, the story follows events precipitated by a woman who kidnaps her grandchild from a hospital, and goes on the run. Five directors, Leah Purcell, Fadia Abboud, Lucy Gaffy, Julie Kalceff, and Ana Kokkinos collaborated in the production of this feature.

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Wild Place, by Christian White

Wild Place, by Christian White, book cover

Wild Place (published by Affirm Press, 26 October 2021), the third thriller novel of Melbourne based Australian writer Christian White, has I see from the socials, made it into the hands of a few fortunate advance readers. After reading both The Nowhere Child, and The Wife and the Widow, I can only say I’m eagerly anticipating getting hold of this title.

Set in suburban Melbourne during the late nineteen-eighties, with the world in the grips of satanic panic, Wild Place tells the story a school teacher, Tom Witter, who thinks he can help police investigating the disappearance of a local teenager. Unfortunately for Tom though, detectives are not interested in his assistance.

The missing teenager was last seen in an area known as the wild place, a forest area bordering Tom’s property, which also adds to his curiosity, and indeed concern, about the case. In the past the forest reserve had been popular with locals, but in recent years had developed a far less welcoming, and darker, reputation.

Keen to protect his own children, Tom teams up with the local neighbourhood watch group, and begins his own investigation into what happened. Needless to say, as with all stories set in White’s realms, nothing is as it seems, and doubtless readers can expect to be shepherded some way down a particular path before being stunned by one of White’s trademark twists. I cannot wait.

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Is home streaming films the new normal cinema experience?

Life in this part of Australia, New South Wales, begins to return to some semblance of normal today. After months of lockdowns many residents will no longer be subjected to the restrictions they’ve become accustomed to recently. Cafes, bars, and cinemas are among a slew of businesses re-opening, which will be welcome news to many people.

While getting out to a cafe, and maybe a bar, is something I’ve been looking forward to, I’m not so sure about going back to the movies. And it’s not because of the possible risks of being seated in a confined space with several hundred people for two to three hours. If the past eighteen months has shown me anything, it is how convenient streaming films online is.

Home streaming films may not offer the big screen experience of a cinema, or the enjoyment of being out with other people, but it’s still going to be hard to walk away from. For one thing, you’re not bound to a schedule. If say you’re streaming the latest James Bond movie, the show starts exactly when it suits you, not someone else.

There’s also advantages I’d never thought of until we started streaming regularly. Unlimited pauses are one. Anything goes; there’s time to grab a snack, take a phone call, text someone, google a point of interest in the film that’s on, or tap in a few notes for the article I need to write for work tomorrow. And then there’s the in your own home comfort of the whole thing.

Imagine no inconsiderate fellow patrons, talking loudly, texting incessantly, scrolling their socials (with the screen set to maximum brightness of course), or making or taking phone calls mid-session without leaving the auditorium (I’ve seen it happen). And let’s not get started on noisy food wrappings, or people who don’t understand allocated seating.

Of course the comforts of our would-be home cinema causes me to feel some guilt. Staying home could have an impact on a cinema’s viability. Staff may have to be let go. Their bottom-line is still being affected even though I may be paying to watch films from said cinema’s stream service, but they’re missing out on my vital for them coffee and pop-corn purchases.

But who knows what might happen? In six months we may have traded the simple joys of watching movies at home for the big-screen, cinema auditorium extravaganza. Regardless, I think the post pandemic lockdown period will be pivotal for the cinema industry. And if the worst comes to the worst, it could be the home cinema will become a permanent feature after all.

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